To be elegible for this price, Add to CartThe long-standing reggae-pop group UB40 could play it smooth and silky long before they had a hit with their cover version of 'Red Red Wine,' but that cut became so massively successful it evolved into an annoyance for some. It's the same curse Bobby McFerrin experienced after 'Don't Worry Be Happy' pigeonholed him as a sweet, novelty hit curio, but like Bobby, UB40 always deserved better, so anyone claiming this 'reggae country album' is garish or desperate just hasn't put the needle to groove. Besides, country songs have long found their way into reggae music, from Toots & the Maytals taking John Denver's 'Take Me Home Country Roads' to West Jamaica to UB40 backing Robert Palmer on 'I'll Be Your Baby Tonight,' plus, it's had more to do with the song itself than the genre. Best example of that here is the group's inventive take on Vince Gill's 'If You Ever Have Forever in Mind,' which comes on with soulful horn-section uplift like it was Earth, Wind & Fire, but the steel guitar playing of special guest Melvin Duffy is welcome here too, because wherever these seasoned veterans land, it becomes Music City. Duffy skillfully rocks up the rhythm of 'How Can a Poor Man Stand Such Times and Live,' an old political number the band discovered via Ry Cooder. Heartbreak, yearning, and cheating fill the rest of these tracks from George Jones, Willie Nelson, and others, and don't be surprised when the dour moments are handled with sweetness (smooth croons, easy rhythms) and light (bright horns, slick production, and a giddy version of 'Blue Eyes Crying in the Rain'), because in smooth reggae, that's the quickest way to get to Irie. Lead singer Duncan Campbell does a fine job on his second album after the departure of his brother Ali, and with inspired song choices meeting an inspired band, Getting Over the Storm doesn't come off as a gimmick but a gift.

1. Who Is Ub40
2. Ub40 Homegrown
3. Ub40 Getting Over The Storm Album

David Jeffries. Tony Mullins, Keyboards, AssociatedPerformer - Gregg Allman, ComposerLyricist - JAMES BROWN, Producer, Drums, AssociatedPerformer - Robin Campbell, Producer, Guitar, Vocals, AssociatedPerformer - Melvin Duffy, Guitar, AssociatedPerformer - Earl Falconer, Producer, Bass Guitar, AssociatedPerformer - Brian Travers, Producer, Saxophone, AssociatedPerformer - Norman Hassan, Producer, Percussion, AssociatedPerformer - UB40, MainArtist - Robert Kim Payne, ComposerLyricist - Jamie Travers, Engineer, Recording Engineer, StudioPersonnel - Austen Kilburn, Mixer, Asst.

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Recording Engineer, StudioPersonnel - Dan Sprigg, Engineer, Recording Engineer, StudioPersonnel - Martin Meredith, Additional Keyboards, Alto Saxophone, AssociatedPerformer - Laurence Parry, Flugelhorn, Trombone, Trumpet, AssociatedPerformer - Duncan Campbell, Producer, Vocals, AssociatedPerformer - Terrence Wilson, Producer, Background Vocalist, AssociatedPerformer℗ 2013 Virgin Records Ltd. Tony Mullins, Keyboards, AssociatedPerformer - JAMES BROWN, Producer, Drums, AssociatedPerformer - Robin Campbell, Producer, Guitar, Vocals, AssociatedPerformer - Melvin Duffy, Steel Guitar, AssociatedPerformer - Earl Falconer, Producer, Bass Guitar, AssociatedPerformer - Brian Travers, Producer, Saxophone, AssociatedPerformer - Norman Hassan, Producer, Percussion, AssociatedPerformer - UB40, MainArtist - Jamie Travers, Engineer, Recording Engineer, StudioPersonnel - Austen Kilburn, Mixer, Asst. Recording Engineer, StudioPersonnel - Dan Sprigg, Engineer, Recording Engineer, StudioPersonnel - Martin Meredith, Additional Keyboards, Alto Saxophone, AssociatedPerformer - Laurence Parry, Flugelhorn, Trombone, Trumpet, AssociatedPerformer - Duncan Campbell, Producer, Vocals, AssociatedPerformer - John Riggs, ComposerLyricist - Terrence Wilson, Producer, Background Vocalist, AssociatedPerformer℗ 2013 Virgin Records Ltd.

Troy Seals, ComposerLyricist - Tony Mullins, Keyboards, AssociatedPerformer - JAMES BROWN, Producer, Drums, AssociatedPerformer - Vince Gill, ComposerLyricist - Robin Campbell, Producer, Guitar, Vocals, AssociatedPerformer - Melvin Duffy, Steel Guitar, AssociatedPerformer - Earl Falconer, Producer, Bass Guitar, AssociatedPerformer - Brian Travers, Producer, Saxophone, AssociatedPerformer - Norman Hassan, Producer, Percussion, AssociatedPerformer - UB40, MainArtist - Jamie Travers, Engineer, Recording Engineer, StudioPersonnel - Austen Kilburn, Mixer, Asst. Recording Engineer, StudioPersonnel - Dan Sprigg, Engineer, Recording Engineer, StudioPersonnel - Martin Meredith, Additional Keyboards, Alto Saxophone, AssociatedPerformer - Laurence Parry, Flugelhorn, Trombone, Trumpet, AssociatedPerformer - Duncan Campbell, Producer, Vocals, AssociatedPerformer - Terrence Wilson, Producer, Background Vocalist, AssociatedPerformer℗ 2013 Virgin Records Ltd. Tony Mullins, Keyboards, AssociatedPerformer - JAMES BROWN, Producer, Drums, AssociatedPerformer - Buck Owens, ComposerLyricist - Robin Campbell, Producer, Guitar, Vocals, AssociatedPerformer - Melvin Duffy, Steel Guitar, AssociatedPerformer - Earl Falconer, Producer, Bass Guitar, AssociatedPerformer - Brian Travers, Producer, Saxophone, AssociatedPerformer - Norman Hassan, Producer, Percussion, AssociatedPerformer - UB40, MainArtist - Jamie Travers, Engineer, Recording Engineer, StudioPersonnel - Austen Kilburn, Mixer, Asst. Recording Engineer, StudioPersonnel - Dan Sprigg, Engineer, Recording Engineer, StudioPersonnel - Martin Meredith, Additional Keyboards, AssociatedPerformer - Duncan Campbell, Producer, Vocals, AssociatedPerformer - Terrence Wilson, Producer, Background Vocalist, AssociatedPerformer℗ 2013 Virgin Records Ltd.

Tony Mullins, Keyboards, AssociatedPerformer - Audrey Allison, Composer - Joe Allison, Composer - JAMES BROWN, Producer, Drums, AssociatedPerformer - Robin Campbell, Producer, Guitar, Vocals, AssociatedPerformer - Melvin Duffy, Steel Guitar, AssociatedPerformer - Earl Falconer, Producer, Bass Guitar, AssociatedPerformer - Brian Travers, Producer, Saxophone, AssociatedPerformer - Norman Hassan, Producer, Percussion, AssociatedPerformer - UB40, MainArtist - Jamie Travers, Engineer, Recording Engineer, StudioPersonnel - Austen Kilburn, Mixer, Asst. Recording Engineer, StudioPersonnel - Dan Sprigg, Engineer, Recording Engineer, StudioPersonnel - Martin Meredith, Additional Keyboards, Alto Saxophone, AssociatedPerformer - Laurence Parry, Flugelhorn, Trombone, Trumpet, AssociatedPerformer - Duncan Campbell, Producer, Background Vocalist, AssociatedPerformer - Terrence Wilson, Producer, Background Vocalist, AssociatedPerformer℗ 2013 Virgin Records Ltd. Tony Mullins, Keyboards, AssociatedPerformer - JAMES BROWN, Producer, Drums, AssociatedPerformer - Robin Campbell, Producer, Guitar, Vocals, AssociatedPerformer - Melvin Duffy, Steel Guitar, AssociatedPerformer - FRED ROSE, ComposerLyricist - Earl Falconer, Producer, Bass Guitar, AssociatedPerformer - Brian Travers, Producer, Saxophone, AssociatedPerformer - Norman Hassan, Producer, Percussion, AssociatedPerformer - UB40, MainArtist - Jamie Travers, Engineer, Recording Engineer, StudioPersonnel - Austen Kilburn, Mixer, Asst. Recording Engineer, StudioPersonnel - Dan Sprigg, Engineer, Recording Engineer, StudioPersonnel - Martin Meredith, Additional Keyboards, Alto Saxophone, AssociatedPerformer - Laurence Parry, Flugelhorn, Trombone, Trumpet, AssociatedPerformer - Duncan Campbell, Producer, Vocals, AssociatedPerformer - Terrence Wilson, Producer, Background Vocalist, AssociatedPerformer℗ 2013 Virgin Records Ltd. Tony Mullins, Keyboards, AssociatedPerformer - JAMES BROWN, Producer, Drums, AssociatedPerformer - Don Schlitz, Composer - Robin Campbell, Producer, Guitar, Vocals, AssociatedPerformer - PAUL OVERSTREET, Composer - Melvin Duffy, Steel Guitar, AssociatedPerformer - Earl Falconer, Producer, Bass Guitar, AssociatedPerformer - Brian Travers, Producer, Saxophone, AssociatedPerformer - Norman Hassan, Producer, Percussion, AssociatedPerformer - UB40, MainArtist - Jamie Travers, Engineer, Recording Engineer, StudioPersonnel - Austen Kilburn, Mixer, Asst. Recording Engineer, StudioPersonnel - Dan Sprigg, Engineer, Recording Engineer, StudioPersonnel - Martin Meredith, Additional Keyboards, Alto Saxophone, AssociatedPerformer - Laurence Parry, Flugelhorn, Trombone, Trumpet, AssociatedPerformer - Duncan Campbell, Producer, Vocals, AssociatedPerformer - Terrence Wilson, Producer, Background Vocalist, AssociatedPerformer℗ 2013 Virgin Records Ltd. Your browser does not support the audio element.

Album DescriptionThe long-standing reggae-pop group UB40 could play it smooth and silky long before they had a hit with their cover version of 'Red Red Wine,' but that cut became so massively successful it evolved into an annoyance for some. It's the same curse Bobby McFerrin experienced after 'Don't Worry Be Happy' pigeonholed him as a sweet, novelty hit curio, but like Bobby, UB40 always deserved better, so anyone claiming this 'reggae country album' is garish or desperate just hasn't put the needle to groove. Besides, country songs have long found their way into reggae music, from Toots & the Maytals taking John Denver's 'Take Me Home Country Roads' to West Jamaica to UB40 backing Robert Palmer on 'I'll Be Your Baby Tonight,' plus, it's had more to do with the song itself than the genre. Best example of that here is the group's inventive take on Vince Gill's 'If You Ever Have Forever in Mind,' which comes on with soulful horn-section uplift like it was Earth, Wind & Fire, but the steel guitar playing of special guest Melvin Duffy is welcome here too, because wherever these seasoned veterans land, it becomes Music City.

Who Is Ub40

Duffy skillfully rocks up the rhythm of 'How Can a Poor Man Stand Such Times and Live,' an old political number the band discovered via Ry Cooder. Heartbreak, yearning, and cheating fill the rest of these tracks from George Jones, Willie Nelson, and others, and don't be surprised when the dour moments are handled with sweetness (smooth croons, easy rhythms) and light (bright horns, slick production, and a giddy version of 'Blue Eyes Crying in the Rain'), because in smooth reggae, that's the quickest way to get to Irie. Lead singer Duncan Campbell does a fine job on his second album after the departure of his brother Ali, and with inspired song choices meeting an inspired band, Getting Over the Storm doesn't come off as a gimmick but a gift. David JeffriesAbout the album. 1 disc(s) - 13 track(s). Total length: 00:51:41.

Ub40 Homegrown

Main artist:. Composer:. Label:. Genre. © 2013 Virgin Records Ltd.

℗ 2013 Virgin Records Ltd.Why buy on Qobuz. Stream or download your musicBuy an album or an individual track.

Ub40 Getting Over The Storm Album

Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRMThe downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for youDownload your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.) depending on your needs. Listen to your purchases on our appsDownload the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. The Dark Side of the Moon: An Astronomical SuccessPink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968.

A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began. Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. And the album’s perfection hasn’t faded one bit, even forty-five years after its release.

The long-standing reggae-pop group could play it smooth and silky long before they had a hit with their cover version of 'Red Red Wine,' but that cut became so massively successful it evolved into an annoyance for some. It's the same curse experienced after 'Don't Worry Be Happy' pigeonholed him as a sweet, novelty hit curio, but like, always deserved better, so anyone claiming this 'reggae country album' is garish or desperate just hasn't put the needle to groove. Besides, country songs have long found their way into reggae music, from taking 's 'Take Me Home Country Roads' to West Jamaica to backing on 'I'll Be Your Baby Tonight,' plus, it's had more to do with the song itself than the genre. Best example of that here is the group's inventive take on 's 'If You Ever Have Forever in Mind,' which comes on with soulful horn-section uplift like it was, but the steel guitar playing of special guest is welcome here too, because wherever these seasoned veterans land, it becomes Music City. Skillfully rocks up the rhythm of 'How Can a Poor Man Stand Such Times and Live,' an old political number the band discovered via. Heartbreak, yearning, and cheating fill the rest of these tracks from, and others, and don't be surprised when the dour moments are handled with sweetness (smooth croons, easy rhythms) and light (bright horns, slick production, and a giddy version of 'Blue Eyes Crying in the Rain'), because in smooth reggae, that's the quickest way to get to Irie.

Lead singer does a fine job on his second album after the departure of his brother, and with inspired song choices meeting an inspired band, doesn't come off as a gimmick but a gift.